Bauhaus Ausstellung 1923 Weimar by Wassily Kandinsky Alma the work's fine botanical linework

the work's fine botanical linework and subtle tonal gradations are preserved in full

Moholy-Nagy treats the circle not as symbol but as pure visual form

Layered Serenity builds its calm through accumulation – form placed on form

The tonal range is deliberately compressed — pale sky

Bauhaus Ausstellung 1923 Weimar by Wassily Kandinsky Alma the work's fine botanical lineworkDesigned by Wassily Kandinsky for the first major Bauhaus exhibition in 1923, this graphic work is a concentrated statement of Bauhaus principles circle, triangle, and square arranged in dynamic tension, primary colours assigned to elemental forms in a composition that functions as both poster and manifesto. The design operates at the intersection of abstract painting and graphic communication, translating Kandinsky's colour theory into a visual