Pear Tree by Gustav Klimt Mirjam Schrei The blossoms themselves are painted

The blossoms themselves are painted with a slow attentiveness rarely seen in his more turbulent canvases

this piece keeps Rosado's expressive pencil strokes and layered colour sharp and precise

overlapping planes

A 19 (landscape image) by Laszlo Moholy-Nagy carries the same experimental spirit that defined the artist's Bauhaus-era work

Pear Tree by Gustav Klimt Mirjam Schrei The blossoms themselves are paintedPear Tree is Klimt at his most scientifically curious painted under the visible influence of Pointillism, the canvas dissolves a blossoming tree into thousands of individual colour touches that shimmer and vibrate as a whole. The composition fills the picture plane entirely, branches reaching to every edge, so that the tree becomes an almost abstract pattern of white blossom, green leaf and blue sky. It is a rare moment in Klimt's career where