CST112 Eric Chenaux | Skullsplitter Format:WAV often including a new multi-movement

often including a new multi-movement piece in concert over the past couple of years

opening with gently blown-out solo violin layering a maqam- and klezmer-inflected theme that gradually recedes to near-silence as vocals are introduced

Watson also sings and plays piano on “Trampolin” and on the album's centrepiece track “Snow Day For Lhasa”

both synthetic and analogue

CST112 Eric Chenaux | Skullsplitter Format:WAV often including a new multi-movementic Chenaux has emerged as one of the most distinctive, innovative and original voices in what might be called avant garde balladry, juxtaposing his gorgeously pure and open singing against a guitar sound and style that truly stands alone. Skullsplitter is the impressive new album that confirms Chenaux's singular aesthetic: genuine, natural, unaffected vocals gliding through slow, smoky melodies while electric and nylon string guitars are deployed with