Composition with Large Blue Plane, Red, Black, Yellow, and Gray by Piet Mondrian Jérôme Sinoquet and Rosado's characteristic restraint means

and Rosado's characteristic restraint means nothing in the image competes for attention

Hope II (1907–08) dates from Gustav Klimt's celebrated Golden Phase

creating an almost tapestry-like surface

and a typographic sensibility rooted in the golden era of Broadway

Composition with Large Blue Plane, Red, Black, Yellow, and Gray by Piet Mondrian Jérôme Sinoquet and Rosado's characteristic restraint meansCompleted in 1921, this work shows Mondrian's Neoplasticist language at full maturity. A dominant blue rectangle anchors the upper composition, counterbalanced by smaller fields of red, yellow, and gray separated by thick black lines. The scale and boldness of the blue plane gives the work a monumental quality rare even among Mondrian's compositions of this period. The gray adds a quieter, reflective note softening what might otherwise be a purely