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becoming residential buildings for civilians
restricted only by the accordion format and its ten panels (recto)
He created his own reality
Giulia Cavaliere
"You can't see me, but I don't exist" shinkiro becoming residential buildings for civiliansWhile photographing refugees in France, Belgium, Austria, and Sweden in 2018, Alan Gignoux noticed that a recurring theme among them was the gradual erosion of self, resulting from prolonged periods of living in limbo at the fringes of society. In the UK, people seeking asylum similarly endure extended periods of uncertainty while awaiting a response to their applications. Unable to work, they may endure poverty or destitution, poor physical and
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